this work investigates symbolic language as a structural force within an abstract field. Circular forms operate as discrete units—markers, signals, or reference points—while gestural lines connect and interrupt them, suggesting an underlying system in motion. The embedded symbols function less as fixed meanings and more as indices within a broader visual syntax, inviting interpretation without resolution. The composition reflects how systems of meaning are formed, layered, and continually renegotiated through interaction rather than certainty. his work exists at the intersection of the primordial and the cosmic, a visual artifact that seems to have emerged from both deep time and deep space. The heavily textured surface—mottled with silvery grays, dusty roses, and atmospheric whites—evokes aged parchment, weathered stone, or the cratered surface of a distant moon. It’s a canvas that carries the weight of centuries, real or imagined. This is a meditation on how humans have always sought to make meaning from mystery, to chart the unknowable, and to leave marks that outlast our fleeting presence